Book Proposal - Play
Barry is seeking a literary agent for a major book about culture, music-theatre and new music. A form letter query letter and a complete book proposal with a table of contents and sample chapters is available, as is 95% of the manuscript. For now, the title is being withheld from the general public.
You can view this draft excerpt from the forthcoming book: "Follow the Money: An Update to Virgil Thomson's 'The State of Music'."
I can think of no reason to post the book proposal on-line, but I think it's time I stopped being coy and revealed at least a little more about the book to the general public, to my fans, friends and colleagues who are curious enough to click through to this page. So here are six nuggets:
The reason that one note of a given duration is chosen over another, one word is chosen over another, one movement is chosen over another, one brush stroke of a particular pigmentation in a particular location is chosen over another, one shape is chosen over another, has nothing to do with the intent of the work, the socio-economic and religious factors that determine why the work is created, for whom it is created, its potential qualities including marketability, accessibility, originality or durability. Works may have these reasons and qualities, may carry theological or political implications, may recall the reality of nature or human experience, may be created as a gift, as an obligation, for self-glorification, for utility, as propaganda or out of obsession, but the elemental choices are aesthetic and are made for reasons internal to the form itself. The “art for art’s sake” element is embedded and inseparable from the cultural impetus – the act of creation contains within it both the sociological why and the aesthetic what.
After a year of working on the query letter, the book proposal, and tracking down potential literary agents (I think that can officially be called "procrastination"), on December 8, 2005 I turned that 95% figure into 100%! Now I'm reviewing the manuscript, showing some portions to others, working on a second draft.
I still think it's a killer book proposal and a killer manuscript. I got one really nice rejection letter, I'm pretty sure it wasn't a form letter; I sent a dollar to the guy who wrote it. Then there's my literary agent Hall of Shame (names withheld to protect the guilty - write to me and I'll tell you who to avoid):
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